#brutalism

#brutalism

The scale of the estate is felt in the sweeping view of its terrace blocks rising over the central green. Narrow balconies wrap the long facades, filled with red flowers, potted plants, and the everyday objects of residents. Below, a lawn dotted with picnics and a small playground softens the geometry, revealing the original intention of the architects to merge high-density housing with generous public space.

The Breuer Building"s adaptive reuse for Sotheby's, undertaken by Herzog & de Meuron with New York-based PBDW Architects, is approached with respect for its legacy as a New York icon. The architects retain the weight and texture of Marcel Breuer's bush-hammered concrete, which continues to express itself as both surface and structure. Along Madison Avenue, a subtle lighting scheme renews the facade's sculptural presence after dark.

Plastic Box, designed by Minimal Studio, reinterprets the supermarket as a site for architectural exploration, combining minimalism with circular design principles. The building in Mallorca, , is enclosed within a monolithic shell, establishing a clear and austere framework for the retail space. The ceiling is composed of over a thousand recycled plastic crates, arranged modularly to diffuse natural and artificial light while accommodating technical infrastructure, integrating utility and structure into a cohesive architectural element. Reused materials, sculptural counters, and indirect lighting contribute to a spatial system that emphasizes material clarity, structural logic, and functional economy.

To celebrate its tenth anniversary, Galerie Philia presents STRATES, a large-scale exhibition staged across two of France's most emblematic brutalist landmarks: Jacques Kalisz's Mont d'Est car park and Ricardo Bofill's Espaces Abraxas in Noisy-le-Grand, Grand Paris. On view until November 30th, 2025, the show reflects on a decade of curatorial exploration that has seen the gallery bring contemporary design into conversation with architecture, philosophy, and civic life.

Brutalist Berlin, published by Blue Crow Media, is an architectural guidebook devoted to the raw materiality and social ambition of Berlin's postwar concrete structures. Written and photographed by architectural historian Dr. Felix Torkar, the volume documents more than fifty sites across the city - from housing estates and cultural institutions to infrastructural landmarks - and situates them within the political and cultural framework of Germany's Cold War reconstruction.

Most 11-year-olds want to go to Disneyland for spring break. Mine wanted to see architecture. While there is no shortage of iconic buildings in our hometown of New York City, Pennsylvania arguably has a more esteemed collection. So last spring, we packed up my boyfriend's vintage Mercedes station wagon and hit the road for five days of design hunting, food, and, if there was time, antiquing. A thousand miles later, we looked at the state in an entirely new way.

Named 'Beacon', the structure will be placed at the entrance of the Royal Festival Hall and it'll light up when Big Ben strikes the hour. It'll be visible from both sides of the Thames and perform in choreographed waves of light. The installation is by British designer Lee Broom and it is part of the London Design Festival (LDF). This year's edition of LDF will run from September 13-22.

Brutal Honesty is a project rooted in direct expression and raw authenticity. Earth-colored retaining walls rise from the terrain like abstract rock formations, defining three terraces.

The Heart Vase challenges us to see a common object through a fresh lens by reimagining its essence while still retaining its functionality.