#capitalism

#capitalism

Capitalism is misconceived as evil due to a cultural perception that values self-sacrifice over self-interest.

Cady Noland's artistic reemergence through a museum survey reflects her critical stance on American culture and capitalism, finally addressing her long absence.

A key critique of heteropessimism is presented, focusing on the need for responsibility in romantic relationships.

The online dating industry has monetized romance, with nearly £7 billion earned globally in 2022.

Users face a hierarchical structure in dating platforms driven by their subscription choices.

Influential figures like Musk and Zuckerberg epitomize a disconnect between immense power and their cringe-inducing behavior.

Fire in Los Angeles symbolizes deep-rooted issues within the city, reflecting societal critiques on capitalism and materialism.

Brady Corbet's acceptance speech highlights the creative battles between directors and producers, emphasizing the need for artistic control in filmmaking.

Both racing and capitalism reflect competition, where rewards can either be concentrated at the top or distributed widely.

The West Texas oil patch, as depicted by Sheridan, is a harsh, unforgiving environment where grief and human connection are sacrificed for profit.

Public sentiment has turned from distrust in corporations to outright hatred, rooted in frustrations with systemic failures in capitalism.

Musk's involvement with political funding underscores the demand for reform in political financing in the UK.

Kimmerer's "The Serviceberry" critiques capitalism's flaws, advocating for community and gratitude as essential to addressing climate and biodiversity challenges.

Government transparency regarding economic decisions is crucial for public understanding and acceptance.

The exhibition 'Air de repos' explores the political and poetic dimensions of breathing in a polluted, capitalist society.

The prevailing harshness of reality makes alternative, albeit flawed, realities seem appealing due to the absence of agency and meaningful choices.

Latino voters prioritize capitalism over traditional American values in their political choices.

Guillermo's transformation into a ruthless vampire mirrors the greed found in venture capitalists, highlighting a critique of modern capitalism.

The Outer Worlds brilliantly critiques capitalism and refines the RPG formula established by Bethesda in a compact, engaging manner.

Open source companies can blend philanthropy with sustainable business models, as demonstrated by OSS Capital's investments.

Sean Baker's films interrogate the relevance of fairy tales in contemporary society, blending humor and harsh realities.

Shipping is crucial for capitalism and embodies systemic exploitation of labor in global supply chains.

Francis Ford Coppola's 'Megalopolis' represents his final artistic struggle against societal decay and personal ambition, showcasing his unique vision.

Public events can clash with important sports matches, affecting attendance.

There's a cultural shift in artwork displayed in government offices towards representation of women.

Tupperware's decline highlights the importance of planned obsolescence in capitalism.

Wildlife stories continue to astonish, as showcased by clever behavior of zoo animals.

Capitalism profoundly shapes human existence, social relations, and technological progress, raising significant challenges and opportunities for all life.

Black women in corporate spaces face a painful transition from being seen as 'pets' to 'threats' as they gain power.

The Notting Hill Carnival faced violence again, prompting police frustration and calls for better safety measures.

Evil concludes with a sense of closure, reflecting on faith and challenges against supernatural forces in a modern context.

Revenge of the Savage Planet expands upon its predecessor's themes, presenting a colorful critique of capitalism through engaging gameplay.

The film critiques how commercials reflect societal issues, especially regarding capitalism and post-Soviet identity.

'Eight Postcards from Utopia' uses humor and a creative montage to criticize consumerism.

Capitalism today is evolving beyond mere profit motivations, focusing more on community engagement.

Apple's competition with creators signifies a changing digital economy.

The book 'Invisible Labor: The Untold Story of the Cesarean Section' by Rachel Somerstein explores the roots of reproductive care in the United States, highlighting racism, misogyny, and capitalism.

The article discusses the author's experiences in dealing with powerful corporate entities and industries, likening them to predators like sharks in the business world.

Fukuyama's 'End of History' thesis still relevant despite challenges faced since 1989.

Britain missed the chance to become a hi-tech superpower, losing many tech companies to foreign ownership except Sage.

Prices under capitalism are key agreements but are becoming less transparent in some London shops, reflecting a cost of living crisis and widespread misunderstanding of inflation.

Western newspapers are acknowledging the damage to Israel's reputation post the Gaza war.

The fall of the West is attributed to various factors like immigration, multiculturalism, and the aftermath of the Soviet collapse.

Prestige television is adapting video game properties like Fallout for TV, focusing on settings and gameplay over traditional storytelling.

Fallout TV series aims to capture the essence of the game's iconic elements while exploring themes of American exceptionalism and capitalism.

Care work in the U.S. economy is exploitative and profit-driven, necessitating alternative approaches.

The term 'care' in capitalism can obscure exploitation and consumer complicity.

LaToya Ruby Frazier's work in "The Notion of Family" series captures the personal impact of capitalism on healthcare and communities.

Neoliberalism is losing credibility due to contemporary crisis rooted in inequality, setting the stage for the next chapter of capitalism.

Government intervention in the economy may have unintended consequences, ultimately enabling the wealth gap and billionaire class growth.

Sylvie Fleury addresses consumer culture through feminist Pop art, discussing capitalism and self-image playfully while exploring norms of gender and commercial value.