#chiharu-shiota

#chiharu-shiota

"Technology is both the remedy and the poison," artist Cao Fei quotes Bernard Stiegler, emphasizing the complex relationship between technological advancements and their impact on human practices.

"It's bizarre to watch people in this way - even in gay cruising areas you wouldn't stare at other bodies this intensely. Now, whenever I go to a concert, especially at the Berliner Philharmonie with its encircling seating, my gaze hovers over the audience as well as the stage."

Censorship strips innocence from the young and kindness from the elderly. It discourages people from valuing justice, fostering selfishness instead.

The act of painting, like remembering, becomes sanctified not because it reveals truth, but because of the care and attention it requires. The devotional quality throughout this work is not religious, exactly, but borrows the aesthetic language of reverence: chandeliers, glowing skin, sacred gestures.

"Most people don't stop to observe the crews' work or the infrastructure they uncover," Tentler-Krylov said. "But these unseen things keep the city going."

Camera (1) is a compact, metal-bodied camera designed for ease of use, featuring a single-edge control layout that allows for quick adjustments without navigating a touchscreen. This design is particularly beneficial during cherry blossom season when moments are fleeting and require immediate capture.

Hu Yuehua's 'Weaving Nature' is a large-scale composition that intricately combines organic forms with human craft traditions, showcasing a vibrant array of indigo and ochre.

The Duchamp exhibition at MoMA is encyclopedic, thought-provoking, and sometimes surprising. It spans the entire sixth floor and invites viewers to engage deeply with his work.

I think, even though she's world famous with millions of fans, I still think she's underrated, because yes, she's the greatest singer in the world, but also, she doesn't get enough credit for her songwriting. She's written amazing songs over many years consistently and she's really innovated in recorded music and I don't know, I just think she's a genius and people don't realize that she is a genius.

The U.S. Department of Homeland Security is using my artwork without permission ... What should I do ... Since the other party is so large, I'm honestly at a loss.

The Lower East Side institution's OMA-designed, $82 million expansion debuted this week to mixed reviews, reflecting a range of opinions on its new look and functionality.

Cosmic Princess Kaguya! is an adaptation of a Japanese folk tale, the story of a princess from the moon discovered inside a bamboo stalk in a poor rural village. A decade ago, Studio Ghibli adapted the tale into a gorgeously animated movie with a traditional, lovingly hand-painted feel. This film could not be more different, a trippy, high-energy, techno anime set in the near future, half of it in a virtual reality world and TikTok-ifed with emojis and stickers exploding all over the screen.

I have virtually no idea what the finished piece will look like until I actually begin working with the wood. As a result, the form often emerges as I carve, and I frequently change my plans midway through the process. Naturally, I keep the many failures a secret.

In illustrator Chiara Xie 's work, everything is in motion. Rooted in a deep reverence for vitality, Chiara is fascinated by "the rhythm that flows through a scene", lingering like a suspended breath, and other times "surging as a vibrant, agile current of motion". It's not hard to know what she means: every illustration is filled with motion, arcs of light and air bouncing off every corner.

Ong's work contains a deep reverence for the otherworldly, combining the remnants of ancestral knowledge with speculative visions to form a kind of personal myth-making. The title of their latest series, "Always Were", is intentionally fragmentary suggesting a temporal and grammatical ambiguity that points to the liminal nature of Ong's figures and the time and place they inhabit.

Japanese design has spent centuries perfecting the balance between restraint and richness. These seven gifts embody that philosophy, where every material choice and geometric decision carries intention. From transparent polycarbonate that frames music like sculpture to hand-planted bristles that honor century-old brush-making techniques, each piece reflects the considered craftsmanship that typically commands luxury prices. The precision is palpable, the materials exceptional, yet the cost remains accessible.

There's this push and pull between feeling unease and discomfort, the nature of the spaces, and why they feel uncomfortable. But there is also tenderness and warmth, people adapting to these spaces and finding ways to make them comfortable.

Suspended within the exhibition space, the piece occupies the room with a soft mass of red and white textiles. Dense embroidery traces arteries and vessels across the surface, while clusters of beads and pearls gather along the contours. Even with this ambitious new scale, it maintains the tactile intimacy of Shin's smaller works.

Known most for her large-scale artworks created from vast, intricate networks of thread, she developed her unique practice to make tangible the endless speculative configurations of human connections - something to be experienced rather than defined. But by asking her to describe her new exhibition, Threads of Life at the Hayward Gallery, I'm dragging her back into a reductive world of language. "If I wanted to express myself in words, if I could explain in words, I'd rather write," she says. "So I want to build visually, and I want to create visually. What I want to describe is beyond words."

Kohli's work is inspired by the generative forces of nature-its cycles of growth, dissolution, and renewal. Central to the artist's visual language is Shakti, the transformative power of the divine feminine. Kohli uses the womb as a potent symbol of creation and possibility, exploring transformation within the eternal cycles of birth and death.

CHICAGO - With her iconic long dark hair curtaining her demure countenance, Yoko Ono has been in my personal pantheon of women makers for most of my life. When I was a distraught teenager in a midwestern suburb, she was there - singing discordant arias from my bedroom stereo. Her siren call couldn't quite be deciphered, but, like a feminist signal from afar, it cut through the fog of oppressive cultural forces.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.