#copyright

#copyright

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"Both the memorisation in the language models and the reproduction of the song lyrics in the chatbot's outputs constitute infringements of copyright law," the court ruled.

It's been accepted wisdom that traditional publishers play a pivotal role in the digital media landscape, with standout editorial content serving as a rich source of premium inventory for advertisers. But that view is increasingly being challenged by the growing impact of AI search, whether it's Perplexity, ChatGPT, or Google AI Overviews. Only last month, Google expanded AI mode to more than 40 new countries and 35 new languages.

On the eve of his New York mayoral election victory, Zohran Kwame Mamdani posted an ad on social media soundtracked by Bob Dylan's "The Times They Are a-Changin'." The video, like much of Mamdani's campaign, went viral, as its "New York is a-changin'" slogan rapidly spread across social media. By the following morning, however, it had been removed from X with a takedown notice: "This media has been disabled in response to a report by the copyright holder."

The whole thing began in March of this year, when Proven blasted a 90 second promo clip called "YOU GUYS KEEP SAYING YOU CAN EASILY BREAK OFF OUR LATCH PIN LOCK." In the video, detailed by Ars Technica, a guy in a bald cap takes a sledgehammer to the company's $130 trailer hitch lock, hollering that he will "prove a lot of you haters wrong."

The Court issues an injunction preventing Defendant from infringing Nintendo's copyrighted works, including by streaming, and from trafficking in Switch emulators, Nintendo's proprietary cryptographic keys, or other software or technologies that circumvent Nintendo's technological protective measures," U.S. District Judge Gordon P. Gallagher wrote in an order issued earlier this week (via TorrentFreak). The only thing the judge didn't grant Nintendo was its request to confiscate and destroy any tools Keighin had used to pirate Switch games.

AI search startup Perplexity has signed a multi-year licensing deal with Getty Images, which gives it permission to display images from Getty across its AI-powered search and discovery tools. The deal marks a notable shift for the company, which has been hit by allegations of content scraping and plagiarism, and signals an effort to establish more formal content partnerships. Perplexity and Getty have been working together for more than a year, a source familiar with the deal told TechCrunch.

Ben Munday claims he is a co-author of two 2004 portraits of the queen that were created using holography technology, which involves the use of light projection and multiple cameras to render a 3D image. In a court filing seen by the Guardian, Munday alleges Levine and his company Sphere 9 breached his moral rights over the works, titled Equanimity and Lightness of Being, which are both in the permanent collection at the National Portrait Gallery.

Recreations of classic maps and modes from other games are nothing new in shooters. Lately, however, publishers have started getting prickly over users remaking maps from their game in someone else's, and it seems this may be especially true when those games are as competitive with each other as Battlefield and Call of Duty. Battlefield 6 players remaking CoD maps via the game's new portal mode are finding this out the hard way, with their recreations of modes and maps from Activision's popular shooter getting taken down over intellectual property violations.

Two weeks ago in this space, I wrote about Sora, OpenAI's new social network devoted wholly to generating and remixing 10-second synthetic videos. At the time of launch, the company said its guardrails prohibited the inclusion of living celebrities, but also declared that it didn't plan to police copyright violations unless owners explicitly opted out of granting permission. Consequently, the clips people shared were rife with familiar faces such as Pikachu and SpongeBob.

Lehane told the audience: No we are going to be in Australia, one way or the other. Lehane said countries generally chose one of two positions when it came to copyright restrictions and AI. One was to take a US-style fair use approach to copyright, allowing for the development of frontier (highly advanced, large-scale) AI, while the other was to maintain a historic position on copyright, limiting AI's scope.

At a Cabinet Office press conference, Minister of State for IP and AI Strategy Minoru Kiuchi emphasized that anime and manga are "irreplaceable treasures" representing Japan's cultural pride (via IGN). The government urged OpenAI to respect Japanese copyrights and avoid misuse of its technology. Digital Minister Masaaki Taira echoed this sentiment, suggesting that if OpenAI doesn't voluntarily comply, Japan could invoke provisions under the AI Promotion Act--legislation that promotes AI development while also addressing risks such as copyright violations.

Barack Obama weighs in on capitulating law firms. [ The Hill]

A Department of Homeland Security social media post featuring The Cure 's "Friday I'm in Love" has been removed following a DMCA takedown request. The social media post, originally shared by DHS on October 2nd, were taken down on Twitter/X on Instagram on Friday. The same post has been muted on DHS's Instagram page. The Facebook version of the post remains available as of Saturday.

Many of these videos feature recognizable characters like SpongeBob cooking meth, raising the obvious question of whether the AI company was flagrantly ignoring copyright law. And as tons of Sora-made videos parodying Altman hit the web, including some that fake CCTV footage showing him committing crimes, the implication that the tech could easily be used to fabricate damaging videos of people without their permission couldn't be ignored.

According to Axios, a law firm representing Disney wrote to Character.AI demanding that it cease using copyrighted characters without authorisation. "Character.ai chose to systematically reproduce, monetize, and exploit Disney's characters, that are protected by copyrights and trademarks, without any authorization, in a way that is anathema to the very essence of the Disney brand and legacy," the letter states. The company said Character.AI chatbots impersonated characters such as Moana, Princess Elsa from Frozen, Moana, Spider-Man alter ego Peter Parker and Darth Vader from Star Wars.

In a video on OpenAI's new TikTok-like social media app Sora, a never-ending factory farm of pink pigs are grunting and snorting in their pens - each is equipped with a feeding trough and a smartphone screen, which plays a feed of vertical videos. A terrifyingly realistic Sam Altman stares directly at the camera, as though he's making direct eye contact with the viewer. The AI-generated Altman asks, "Are my piggies enjoying their slop?"

As AI bot traffic grows, content creators are taking steps to protect their intellectual property from being scraped against their will. The publishing industry has spent the past year battling against the encroachment of AI tech, with companies like The New York Times and Ziff Davis suing AI platforms for scraping their copyrighted content and using it to train large language models.

Almost exactly a year ago, it announced a bold partnership with the AI startup Runway to develop a new model capable of generating "cinematic video" exclusively for Lionsgate to use. In return, the studio gave the firm unrestricted access to its treasure trove of movies - which include everything from the "Hunger Games" films to "American Psycho" - to train the AI model.