#matthieu-blazy-debut-collection

#matthieu-blazy-debut-collection

Clare Vivier and Heather Taylor have perfected the art of hosting by dividing responsibilities, with Vivier focusing on wine and Taylor on flowers and dessert. Their friendship of 20 years has led to a seamless collaboration that enhances the dinner party experience.

The question of how fashion is archived - what enters the museum; what is deemed worthy of preservation; whose clothes are considered culturally significant enough to outlast the bodies that wore them - has long sat uneasily at the centre of fashion history itself. Institutions have tended to answer it, or ignore it, in much the same way: couture gowns under glass, luxury garments mounted on conservation-grade mannequins in blockbuster exhibitions - an implicit hierarchy of the designed over the worn, the authored over the anonymous.

Beneath a dome that once watched over the French Communist Party's debates in the 1970s, a large self-illuminating dinner table is prepared. Its oval shape stands in the middle of a room noisy with conversation and Object Blue's elegant, beat-driven dinner soundtrack. Guests like Gabbriette, Cruz Beckham, Paloma Elsesser, Damson Idris, ASAP Nast and Pusha T gather under a DayGlo hanging light box. The setting looks, not at all accidentally, like Kubrick's vision of a war room in Dr. Strangelove. And it is a party.

As an interdisciplinary artist, Madita defies simple categorisation, moving fluidly between the worlds of fine art, fashion, and performative expression. In this photo editorial, Madita proves that the artist and the artwork are often the same.

The dress, conversely, is 80 years old, and it isn't his. It's by Pierre Balmain - Tron shows me a René Gruau illustration of the look where, with a platter hat, white fox stole and opera-length gloves, the look is borne back ceaselessly into the past. It's an illustration in a book titled The New French Style, of Balmain outfits with an essay by Alice B Toklas, the partner of Gertrude Stein.

An approach to fabric, to the body, to craft and to women. Not in that order. Pieter Mulier, a softly-spoken, warm-eyed Belgian, has led Alaïa for just shy of five years. This season, it was his time to say goodbye.

I'm obsessed with clichés. Because for me they are the equivalent of universal recognisable codes. It was important to call it that as a way of assuming the word. It's about tapping into cliché.

People have a lot of ideas of what Chanel is, or rather what it should be. One word that doesn't come up much, though, is rebellious - yet that's exactly what Chanel the woman was and what Chanel the house remains. Rather than rebellion, 'paradox' was the word used by Matthieu Blazy, Chanel's artistic director of fashion collections, backstage after his debut show for the maison in October.

The show unfolded in a half-lit, slightly feral underground car park in Paris, very "crew lost in space, hope fading." Models slipped out of the shadows in razor-sharp tailoring stretched to uncanny proportions: elongated tuxedo jackets, narrow silhouettes, sleeves that seemed to keep going forever. Pleating pulled toward the bellybutton (yes, that bellybutton) nodded discreetly to the film's most infamous body horror moment, while sheer cupro tops and floor-length dresses clung like membranes, soft, translucent, unsettling.

Speaking backstage before the show, Anderson, dressed in his signature faded Levi's jeans and a navy cashmere sweater, described the collection as another character study, explaining that this time he set out to explore the idea of a new aristocracy, questioning what it means today and what can it be? The-41-year old designer said when it came to the social hierarchy he wanted to ignore the aspect of money and instead home in on their eccentricity.

Fusco expresses her excitement, stating, "The Blauer family continues its journey, with wonderful images by the masterful Bruce Weber! This time, we chose the legendary Hamptons, where countless stories intertwine to create an intense and authentic narrative that only Weber can capture." Weber's work is anchored in a profound reflection from his book "All-American." He elucidates that "exploration leads me to the hidden lives of others," encapsulating a quest for genuine connection in our fragmented world.

Stylist and writer Orla Dempsey tried on some ties for a week, following a big fashion trend for 2026 and following in the footsteps of some famous faces

Captured beautifully by Shin Jeong Hoon, this collection is a poignant homage to the rich tapestry of East African heritage. When millennial East Africans revisit vintage photographs of their grandparents, joyously dancing on polished parquet floors or posing with vintage Citroens and Beetles against a backdrop of brilliantly blooming bougainvillaea, one can't help but feel a wave of nostalgia. Something is captivating about that wooden floor, their natural hair,

On the first day of Berlin Fashion Week, Maqu unveiled its Fall/Winter 2026 collection, La Dama del Cacao, a masterful exploration of contemporary Peruvian minimalism. This capsule collection is a testament to material innovation, embodying a thoughtful design philosophy that marries textile memory and regenerative principles. Crafted from luxurious alpaca yarns, organic cotton, and pioneering biomaterials, each piece is a result of meticulous hand-knitting techniques and artisanal machinery.

This collection captivated audiences with its rich narrative, reflecting the dichotomy of overwhelming love intertwined with frustration and inner turmoil. Kucharska's latest offering approaches the multifaceted journey of motherhood, encapsulating a complex emotional landscape that balances strength and vulnerability. The pressure to endure coexists with a fierce longing for protection and safety, creating a powerful tension that resonates across her designs.

It captures seven different femininities during an all-day pool party, enjoying themselves while revealing their distinctive styles. Creative Direction, Production & Styling by Maria Gkin. Photography by Eliza Poultidou. The models are Vanessa Otilia, Cyka, Alvina Chamberland and Angelica Komninak. The concept examines the thin line between what is seen as acceptable and what has been labelled ugly or immoral, explored through each woman's personal story. Textures, colours, makeup and styling come together, breaking down stereotypes and highlighting fashion as a means of freedom

KEBURIA, the womenswear and accessories label meticulously designed and handcrafted in Tbilisi, Georgia, proudly unveiled its Fall-Winter 2026-2027 collection at London Fashion Week FW26. Founded in 2015 by self-taught designer George Keburia, the label showcases a fun-loving spirit and has transformed over the years into a vibrant exploration of modern femininity, characterised by a playful attitude towards exaggerated shapes, colours, and styles.