#omnibus-film

#omnibus-film

Bucharest's buildings are marked with a bright-red disk, indicating that, in the next earthquake, this building could fall down, as explained by Radu Jude.

Julian of Norwich, after a mid-life illness, experienced feverish visions of Christ's crucifixion, leading to a deep devotion to the Catholic church and a vow of seclusion.

On May 2, 2025, arts and cultural organizations across the country received notifications that grants and funding promised by the National Endowment for the Arts were being rescinded. This was part of a larger initiative by the Trump Administration to dismantle not just the NEA, but also other arts advocacy programs including the National Endowment for the Humanities and the Institute for Museum and Library Services.

"We were filming in London, so we were in our own beds at night. That's not often the case. Middle-earth, you're not in your own bed."

April O'Neil comes down out of City Hall as the ace reporter and then walks into the Hoyt-Schermerhorn station. That secret, that the Downtown Brooklyn station is subbing in for City Hall, is at the heart of an upcoming film series at BAM.

A time jump resets this show's character dynamics with Rue (Zendaya) working off her debt to a drug dealer and seemingly nearly all the series' other female characters engaged in sex work of some kind. Sam Levinson's vision of a woman's life is pretty depressing.

Under her leadership, Jackson said, 'The most important thing is to make sure that Film Forum continues its mission.' This reflects her commitment to the organization and its role in independent cinema.

Faces of Death follows a pathologist trying to understand what happens when we die, subjecting himself and the viewer to a series of 'snuff' films depicting violent deaths.

LORNE, an unprecedented, behind-the-scenes glimpse at the man who built an inimitable empire of comedy, shaping television and culture for generations.

A small-budget cult classic can be just as iconic as a major studio film if it speaks to audiences and evokes strong feelings.

Your Highness is described as a 'self-indulgent dream project for the 11-year-old in me' by director David Gordon Green, showcasing a unique blend of stoner comedy and high fantasy.

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

I knew he was a legendary director and he was giving me a list of his movies like Raging Bull, Taxi Driver. Then he was like, 'You probably can't watch any of those quite yet, but there is this one movie I directed called Hugo.' A couple days later, in the mail, I received a copy of Hugo on Blu-ray from his office, which is really crazy.

Set on the blossom tree-lined fringes of Hyde Park in London, Herbert Wilcox's black-and-white rom-com blows in like a fresh spring breeze. The film charts the will-they-won't-they romance between Richard (Michael Wilding), a wealthy lord masquerading as a butler, and Judy (Anna Neagle), the niece of the family who employs him.