From Do Ho Suh's ethereal architecture to Kimsooja's irridescent mirrors to Lauren Halsey's fringed tapestry, a new book from Monacelli celebrates a broad spectrum of light and color. Rainbow Dreams features more than 200 installations, sculptures, paintings, photographs, and more that revel in the possibilities of pigment. Bound in a smooth gradient that extends to the pages' edges, this vivid survey is a celebratory, playful object in itself.
Close your eyes and picture an apple. Most people see something-a faint, slightly blurry image, less vivid than a real apple. A few, however, will see it as clearly as if it were sitting right in front of them. This ability is called hyperphantasia. Hyperphantasia, literally meaning "beyond imagination," refers to exceptionally vivid mental imagery. It is often described as the opposite of aphantasia, a condition in which people report little or no ability to form mental images.
A drawn circle is at least something physical. You can see it, touch it, erase it. The skeptic can still say, "Circles are grounded in physical reality. Justice is different; it's just an idea in your head." So let's talk about the number two. Point to it. Not two apples, not two fingers, not a numeral on a page-that's just a symbol.
Real estate with ocean views, stunning mountain vistas, and wide-open green spaces sell at premium prices because humans find those settings pleasing [1-5]. Certain color combinations in fashion-such as brown and forest green-blend harmoniously, while others, such as hot pink and orange, clash. And our eyes like certain proportions in visual objects (like buildings and human faces) but not others.
For the first time, speech has been decoupled from consequence. We now live alongside AI systems that converse knowledgeably and persuasively-deploying claims about the world, explanations, advice, encouragement, apologies, and promises-while bearing no vulnerability for what they say. Millions of people already rely on chatbots powered by large language models, and have integrated these synthetic interlocutors into their personal and professional lives. An LLM's words shape our beliefs, decisions, and actions, yet no speaker stands behind them.
Yes and no, says cognitive scientist Tomer Ullman, the Morris Kahn Associate Professor of Psychology, who with Halely Balaban recently published a paper titled "The Capacity Limits of Moving Objects in the Imagination." If you're like most people, you probably thought about some of these things, but not others. People build mental imagery hierarchically, starting with the ideas of "person," "room," "ball," and "table," then placing them in relation to one another in space, and only later filling in details like color.
There's a particular kind of panic that hits when you're facing a creative problem, and the well just feels... empty. Every idea seems stale. Every solution feels recycled. And the question creeps in: Have I finally used up all my good ideas? Maybe it's your third attempt at solving the same design problem, and every solution feels like a pale echo of something you've already tried. Or perhaps you've been churning out work for months, and suddenly the spark you used to rely on? Gone.
In 2011, researchers Jason Tangen, Sean Murphy, and Matthew Thompson at the University of Queensland discovered a striking visual illusion while preparing a set of face images for a study. As they were going quickly through the faces to check their spatial alignment, they started noticing that the faces appeared highly distorted, almost cartoonish. They then realized that these distortions were most pronounced when the faces were flashed about 4-5 times per second in peripheral vision.
