#streaming-platforms

#streaming-platforms

Streaming platforms are the first stop for many people once work ends. Netflix, Disney+, and BBC iPlayer have made the "what shall we watch?" debate a nightly tradition in countless homes. Alongside this, online gaming has carved out its own space in the mix. Casual mobile games and multiplayer titles are now just as much a part of winding down as flipping through a series.

"Together we are building something unique with ambition, to deliver the most engaging football, the most innovative and the most accessible to expand our core revenue streams. [We want] to inspire new fans to follow our competitions, to drive engagement with new audiences especially in an ever-changing media and streaming right landscape and to make the most of digital platforms and bring the game closer together for ever. "This is how we will keep European

Lorde is among the latest wave of artists joining the No Music for Genocide campaign, which urges musicians to geo-block their music in Israel in solidarity with the Palestinian people. Caribou, Hayley Williams, Dry Cleaning, Marina, Caroline, Diiv, Duval Timothy, Idles, Muna, Paloma Faith, Obongjayar, Marc Rebillet, Tokimonsta, 454, Pinegrove, and Skee Mask have also removed or pledged to remove their music from streaming services in the country.

There is no need to have a kissing scene, especially a lesbian kissing scene, in a children's show. This is pushing an agenda. There are other options. There are other streaming networks.

The staff of Pitchfork listens to a lot of new music. A lot of it. On any given day our writers, editors, and contributors go through an imposing number of new releases, giving recommendations to each other and discovering new favorites along the way. Each Monday, with our Pitchfork Selects playlist, we're sharing what our writers are playing obsessively and highlighting some of the Pitchfork staff's favorite new music.

Television has come a long way since the days when your grandparents spent their evenings arguing over who had the remote. From the introduction of smart TVs to the advent of streaming services, modern home viewing experiences - and the remotes that direct them - are almost unrecognizable from their origins. First introduced in the 1950s, TV remote controls have defined the public's viewing habits since the channel surfing era, growing into a cultural touchstone now used by sociologists to study family and social dynamics.

When the annals of 2025 at the movies are written, no one will remember The Electric State. The film, a sci-fi comic-book adaptation, is set in a world in which sentient robots have lost a war with humans. Netflix blew a reported $320m on it, making it the 14th most expensive film ever made. But it tanked: though The Electric State initially claimed the No 1 spot on the streamer, viewers quickly lost interest.

The media landscape is undergoing a seismic shift, with most people and creatives unaware of the profound change in how content is consumed and experienced.

For the second quarter of 2025, YouTube's advertising revenue increased 13% year over year, to reach $9.796 billion - continuing a run of impressive growth off an already large base.

PBS does not operate like a traditional network such as CBS or NBC; rather, it is a collection of over 300 local member stations that independently control their programming.

The APAC gaming market is huge, with mobile gaming emerging as the largest and fastest growing slice of the market - revenues are expected to hit $282bn by 2030.

"Absolutely crazy that so-called 'journalists' keep pushing the lazy, baseless theory that The Velvet Sundown is 'AI-generated' with zero evidence..."