#film-and-video-art

#film-and-video-art

Luca Guadagnino stated that the reaction to Timothee Chalamet's comments was disproportionate, expressing confusion over how one comment could become a planetary polemic. He emphasized the importance of nurturing all forms of imagination and uniting the arts.

"Technology is both the remedy and the poison," artist Cao Fei quotes Bernard Stiegler, emphasizing the complex relationship between technological advancements and their impact on human practices.

In 2025, Dmae Lo Roberts embarked on a statewide storytelling experience focusing on personal stories from both artists and community members. These stories are a form of living oral history.

The Walking Man has been spotted around various New York City subway stations, awarding fans with prizes and terrifying unsuspecting straphangers with an unsettling smile.

Many critics praised the new building as 'a shot of rejuvenating playfulness' and 'brilliantly subtle,' while others noted it appeared rushed with visible flaws like packing tape on the staircase.

Julian of Norwich, after a mid-life illness, experienced feverish visions of Christ's crucifixion, leading to a deep devotion to the Catholic church and a vow of seclusion.

Faces of Death follows a pathologist trying to understand what happens when we die, subjecting himself and the viewer to a series of 'snuff' films depicting violent deaths.

The dream is the confusion machine I didn't have to build, a space where perception slips beyond authorship. Within Communal Dreams, influence operates as a subtle signal rather than a directive force.

The title was spontaneous, impulsive. It was inspired by Kenneth Anger. He has two films with 'Rising' in the title - 'Lucifer Rising' and 'Scorpio Rising' - and I wanted to make something in this supernatural, surreal, occultist, exaggerated, fantasy world, like his films.

"It's bizarre to watch people in this way - even in gay cruising areas you wouldn't stare at other bodies this intensely. Now, whenever I go to a concert, especially at the Berliner Philharmonie with its encircling seating, my gaze hovers over the audience as well as the stage."

Censorship strips innocence from the young and kindness from the elderly. It discourages people from valuing justice, fostering selfishness instead.

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

LORNE, an unprecedented, behind-the-scenes glimpse at the man who built an inimitable empire of comedy, shaping television and culture for generations.

Set on the blossom tree-lined fringes of Hyde Park in London, Herbert Wilcox's black-and-white rom-com blows in like a fresh spring breeze. The film charts the will-they-won't-they romance between Richard (Michael Wilding), a wealthy lord masquerading as a butler, and Judy (Anna Neagle), the niece of the family who employs him.

Kyoung Chun's creative practice moves between painting and site-specific installation. Interactive works extend the language of painting beyond the canvas, inviting viewers into environments that challenge perception and encourage connection.

Flusser believed that the transformation brought about by new media would reshape the world, leading to a consciousness defined by images rather than the written word.

Seeing the Alhambra in Granada was an extraordinary experience for me. It was the first time that I understood painting as something other than an object hanging on a wall. I thought that paintings could be in a fixed place, made for that place, made for the light of the place, experienced kinesthetically.

Yale came to me and said there isn't an overarching book about the history of printmaking; they wanted it to be about the printed image. There are a lot of books about printing-about the history of journalism or the history of books, the printing press and the printed word-but not so much about the printed image and its processes. So that was my challenge.

The work of such artists as Jackson Pollock, Mark Rothko, and Willem de Kooning wound up as part of a secret CIA program during the height of the Cold War, aimed at promoting American ideals abroad.

A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days