#frescoes

#frescoes

Simplicity is not the goal. It is the by-product of a good idea and modest expectations. Paul Rand's La Linea exemplifies this principle, evolving from a cookware mascot to a beloved character.

Rome is famed for its rich history, iconic ancient landmarks, and delicious cuisine. When you're not working from an internet cafe or coworking space, you'll find yourself stepping back in time at the Colosseum or tucking into local cuisine.

In the hushed, monastic cells of Florence's Museo di San Marco, Mark Rothko's canvases pulse with spiritual intensity. Rothko's paintings are a new arrival, part of the city's latest major exhibition.

The central nave of Sant'Agostino becomes the spine of the exhibition, as the designer divides the space using white, geometric volumes through freestanding architectural forms that visitors can move through.

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

Pallabazzer recommends seeing the historic center of Florence at different times of the day. In the early morning, you'll get to experience it "without noise and the pressing pace of crowds." Midday brings droves of visitors, but the destination is "bathed in sunshine." In the evening, "the lights of the street lamps stretch out over the Lungarni [the streets along the Arno River], creating a truly magical effect."

About ten years ago researchers across a wide range of disciplines, from forensic science and genetics to art history, got together with the goal of finding the Renaissance artist's DNA. Da Vinci had no children, and his remains were disturbed during the French Revolution. The hope is that uncovering his DNA could open the door to a number of discoveries, including new tools for authenticating artwork and potential clues about da Vinci's uncanny way of seeing the world.

"Piano piano" is an old Italian saying that sounds nonsensical, but is actually full of wisdom, especially if you, like me, are finding yourself wishing away these frigid winter days and hoping spring and summer gets here fast. These days, I've found myself rushing from one thing to the next, frustrated at the smallest things, from post office lines to just missing my train. And I'm ready to make a change.

One tenet of classical idealism is the idea that Roman and Greek statuary embodied an ideal of pure whiteness-a misconception modern sculptors perpetuated for hundreds of years by making busts and statues in polished white marble. But the truth is that both Greek statues and their Roman counterparts were originally brightly painted in riotous color.

The oil on canvas presents an unusual and dynamic composition of a serene Madonna alongside her energetic child with a reverent Saint John pressed up close in the painting's foreground.

Van Dyck's stay in Italy was pivotal to the development of his artistic language, above all because it accelerated his emancipation from the model of his master Rubens.

An analysis of two paintings in museums in the US and Italy by the 15th-century Flemish artist Jan van Eyck has raised a profound question: what if neither were by Van Eyck? Saint Francis of Assisi Receiving the Stigmata, the name given to near-identical unsigned paintings hanging in the Philadelphia Museum of Art and the Royal Museums of Turin, represent two of the small number of surviving works by one of western art's greatest masters, revered for his naturalistic portraits and religious subjects.

levelled much of the city. Along with homes, churches and monuments, invaluable historical sources and documents were lost, including works by Messina's greatest son, Antonello da Messina, the artist widely credited with transforming the course of Renaissance art. In the space of half a minute, a city's memory and that of one of the greatest painters in history was buried alongside its people.