This collection of essays honors Shaun F.D. Hughes by sharing scholarship that engages deeply with Middle English, Old English, Icelandic, and Old Norse traditions, while also breaking new ground.
Many reported vivid dreams featuring lost loved ones, while others saw symbols of transition, including doors, stairways and light. According to the researchers, these themes may offer psychological relief and meaning to people facing end of life.
Writing was created in response to the need to communicate over long distances in trade and, initially, was focused on the purely practical aspects of record-keeping. Scribes in ancient Mesopotamia recorded what commercial goods had been shipped to which destination, their quantity, purpose, and cost.
Plato's choice of this word is deliberate. He is not describing neutral carriers. He is describing people whose job is manufacturing a convincing reality for an audience that cannot see behind the curtain. Here is what matters clinically: the conjurers are not necessarily villains. They may be devoted parents, conscientious teachers, or well-meaning community leaders.
All of us live in an age where we're bombarded by social media and artificial intelligence - when striving to be your authentic self becomes an increasingly difficult task. Yet, even if it has somehow become a common goal, it is unclear how many of us can truly define the "authenticity" that we say we are pursuing.
Unfortunately, hypnosis has a negative reputation among the general public, in large part because of how it's been portrayed by the movie and entertainment industry. Also, I was aware that in the late 19th century there were many false positive and negative claims about hypnosis that soured the public on the possibility that hypnosis could be helpful. I did not want to create or add to a 21st-century perception that hypnosis was quackery, and therefore chose to withhold telling about some of the most amazing events that I had encountered with my patients when I first wrote about hypnosis, because these stories might have been too hard to believe.
We've all been there. Someone starts telling a story, and within seconds, your mind starts wandering. Maybe you pull out your phone, suddenly remember an urgent email, or find yourself mentally reorganizing your weekend plans. The storyteller doesn't notice. They keep going, completely unaware that they've lost their audience. After interviewing over 200 people for various articles, I've noticed patterns in how people communicate their experiences. Some captivate you from the first word, while others lose you before they've even gotten to the point.
The Stasi, the secret police, were legendary for their data files. Their work was based on instilling fear, and they induced stunningly amazing numbers of East Germans into informing on their neighbors. Something along the lines of 1 in 6 East Germans were informants, whether out of fear or out of approval of what the East German government was doing.
I wanted to write a book about how the smartphone changed the world, but the more I researched, the clearer it became that phones were actually the latest step in this evolution of storytelling technology that stretches all the way back to prehistoric times.
At first sight, Winslow Homer's " The Brush Harrow," which depicts two young boys, a horse, and a harrow against an arid landscape, evokes a feeling of somber isolation - but it's hard to pinpoint why. During a talk by curator Horace D. Ballard at the Harvard Art Museums on Jan. 29, visitors learned that Homer painted the scene in 1865, as the Civil War was ending, making the emotional underpinnings of the work clearer.
His investigation began after identifying recurring giant T-shapes, three-level indents, and step pyramids carved into ancient stones worldwide. 'These specific symbols that are built in different size proportions, and the symbols are found in ancient stones around the world, are not supposed to exist; no cultures are supposed to have any cross-platform,' LaCroix explained. The symbols appear in locations ranging from Turkey's Van region to South America and Cambodia.
Following some of the arguments in Ernest Becker's 1973 study The Denial of Death, he proposes that such crises are at least partly the result of the western reluctance to face mortality. In Britain, we eschew open coffins, for instance. When our relatives die, as my mother did two years ago, they die in a hospital rather than at home. We can hardly even bring ourselves to say die, preferring euphemisms such as pass away.
For most of my life, I thought of myself as a fixed entity: This is me. These are my traits. This is who I am. I assumed I was essentially that same person who loved sugary cereal at age 8, fried chicken at 12, and tequila at 21, and who still loves those things now, even if my stomach disagrees. But this is an illusion. Neuroscience, physics, and Buddhism all agree: There is nothing fixed about us-not even close.
At the outset of the Kalevala, Finland's national epic, a singer bemoans his separation from a beloved friend who grew up beside him. Today, the friends rarely meet "näillä raukoilla rajoilla, poloisilla Pohjan mailla" - lines which translator Keith Bosley renders "on these poor borders, the luckless lands of the North." The Kalevala, a poetic masterpiece of nearly 23,000 lines, first appeared in 1835. Now, nearly 200 years later, those "luckless lands of the North" are an increasingly tense border zone.
An old definition of the word fate is "the will of the gods." We might say that it is a fitting metaphor, as it suggests that fate comes from a source much larger than ourselves. Its immensity will stretch way beyond what is in our control. We can ask: How can we create a life that reflects our dreams and what we hold to be important, when so much lies outside our sphere of influence?
When Serena Williams strode onto the Wimbledon grass, her legendary power was never in question. Her serve was crushing. Her backhand was unstoppable. But she wouldn't go to the net. She'd see a short ball, the kind that screams "approach," and she would hesitate to volley and miss the point. Serena was not playing at her full potential because of a story in her head.
