#pritzker-prize-and-recognition

#pritzker-prize-and-recognition

Aliza Nisenbaum's vibrant portraiture portrays her subjects in bold chromatics, echoing her larger project, a celebratory mural for the Obama Presidential Center.

ROOM FOR DREAMS becomes a living manifesto for utopian optimism, creative courage, and the power of imagination through a multilayered approach where large scale installations, cinematic storytelling, live conversations, and ritual-driven encounters converge.

A couple of years ago, really well-prepared Wright properties sold very quickly. There were historically low interest rates and a lot of liquidity, even in the luxury market. Now the tides are shifting, and a post-pandemic frenzy for Wright designs has softened.

Like the chambered nautilus, its shell was a logarithmic spiral. A wall of rough sandstone and aquamarine glass cullet twisted up fifty feet to an oil-drill-stem mast from which a floating roof was hung by the stainless-steel struts of World War II biplanes. You slid in with the humid air from the ravine outside to stroll a terraced garden of pools and plants, over which suspended and carpeted pods for living and sleeping drifted like clouds.

The project examines the integration of digital fabrication processes into reinforced concrete construction, highlighting that while materials such as steel and timber have undergone significant transformation through digital production methods, reinforced concrete has largely retained conventional casting techniques. The proposal aims to address this condition by incorporating digitally fabricated components into the construction system.

The Architect Elevator is a metaphor-in reality, the company leadership may be sitting on the same building floor as you; my car metaphors could fill an entire book; and " Architecture is Selling Options " has become the anchor of many architecture keynotes. So, at least my world of architecture is full of metaphors.

Seeming to belong at once to a world of science fiction and to a primordial past, the pavilion could well serve as the film set for a post-apocalyptic drama. And yet it also invites association with the use of ruins and grottoes in the eighteenth century English landscape garden. What is most captivating about Radic's heroically peculiar pavilion is the way that it seems to stand out of time.

The dream project for me isn't a skyline object or spectacle, it's a long-life system -a project whose structure is reused, materials are upgraded and recycled rather than replaced, and performance improves over time. Where sustainable strategies aren't hidden in basements, or rooftops, but become part of the architectural experience. A dream project would be an urban district reimagined, edited with a scalpel (rather than a sledgehammer) with its declining building stock given a new life through subtle upgrades, modest interventions, and attention to craft and building performance.

Every architectural project is the result of deliberate choices. Beyond form and function, buildings embody technical, political, and cultural decisions that shape their relationship with both their surroundings and the people who inhabit them. ArchDaily's AD Narratives series explores these processes by bringing together accounts that trace projects from initial conception to built realization. In parallel, the AD Classics series turns to works of historical significance, presenting not only the stories behind these buildings but also technical drawings

Among the 2025 Aga Khan Award winners is AAU Anastas and their project, Wonder Cabinet in Palestine, whose central aim is to serve as a haven for culture and creativity and a bridge between design and production. Beyond this meaningful project, AAU Anastas-working from offices in Bethlehem, Palestine, and Paris, France-has built a broad portfolio since 2015. Notable works include Dar Al Majous, a restoration in Bethlehem that challenges

Across this week's broader architecture news landscape, a central theme emerges around the advancement of civic architecture conceived as open, publicly engaged infrastructure, with cultural and institutional projects increasingly designed to strengthen their relationship with the city and everyday urban life. At the same time, renewed global attention turns toward Africa, where large-scale transport infrastructure and the conservation of modernist landmarks reflect interests in the region and the reassessment of the continent's architectural heritage.

The International Union of Architects (UIA), in partnership with UN-Habitat, has released the Stage 1 results of the third cycle of the UIA 2030 Award, identifying the projects selected as Regional Finalists. The shortlisted entries were drawn from submissions across the UIA's five global regions and will advance to the second stage of evaluation. Established in alignment with the UN 2030 Agenda for Sustainable Development, the award framework positions the built environment within broader discussions on sustainable urban development and global policy objectives.