Sabahs are made entirely by hand from 100% leather in either Texas or Turkey—two regions with distinct yet deeply rooted relationships to the material. The result is a shoe that varies subtly from pair to pair, even within the same size.
Meininger, who grew up in Germany but now lives in London, likes making things. So when he saw how much his young sons enjoyed the jungle gym and play forts at the local park, he made an indoor treehouse for them.
The advertising industry has always been in the business of making things, such as the OOH billboard, the 30-second spot, the snappy social post, the standard website: final, finite assets polished and pushed into the world. Agencies were paid, often by the hour, for producing final versions of these things and then moved on to the next project. Even with generative AI entering the picture, much of the conversation remains focused on making those same things faster or cheaper.
Picture this: four robotic arms working in perfect harmony, tracing circular patterns like some kind of futuristic dance performance. But instead of creating art, they're printing the walls of an actual farm. Welcome to Itaca, a project that just wrapped up its construction in the hills of Northern Italy, and it's changing how we think about building homes. WASP, the Italian company behind this audacious venture, just finished printing the walls of what they're calling the first certified 3D-printed construction in Italy.
For the self-build of their modern black barn just 35 minutes from Dublin city centre, interior designer Robert Glynn and his partner used a timber frame that was erected in just three days Studio 31 founder and interior designer Robert Glynn has made a name for himself by doing what many consider the impossible: taking the stress out of the design process. It's a reassuring promise
Architecture Office founder Alexander Mackison and glass artist Juli Bolaños-Durman had something of a creative meet-cute. The two became acquainted while running a lecture series at Custom Lane, a collaborative center for designers and makers in Edinburgh, where they both have studios. They remained friendly, so Alexander eventually learned of Juli's plans to renovate an apartment nearby. "Just through casual conversations, I became integrated into the project," he remembers.