In the digital world that we're in, you know, negative videos are what goes viral. People are always knocking people down a peg and it's really easy to fall into that. If something bad happens-which, when you own your business, something bad happens every day- it's easy to circle in despair. But my challenge is to look for the positive and figure out how to pivot, and if something isn't working then figure out a different way to get it done.
"It has been estimated that one million five hundred thousand houses each year for a period of 10 years will be needed to relieve the urgent housing problem of this country. The enormity of such a need cannot even be partially satisfied by building techniques as we have known and used them in the past."
From unassuming hunks of Carrara marble and limestone, Matthew Simmonds carves realistic, miniature gothic cathedral arches, stairwells, and colonnades. Often based on architectural details of real places, such as cities around Tuscany and Germany's Bamberg Cathedral, the sculptures portray intimate details of corners, vaulted ceilings, arcades, and stairwells that can sometimes be peeked through additional apertures.
The event was the following day: we had 250 tickets sold, we'd done so many rehearsals, and inside there were lighting rigs, performers' equipment, shop stock. It was truly heartbreaking. So many businesses lost so much money and time, and now the loss of the space itself is having a huge impact on the wider community.
Sentimental Value is very much a film about a house - a Victorian " dragestil," or "dragon style," home in Oslo where generations of the same family have lived for more than a 100 years. Director Joachim Trier, who found the house in Oslo's Frogner neighborhood, called its role in the film "a witness of the unspoken ... a witness of the 20th century."
First, you probably have to rewire the lamp. Unless the seller already did it for you, it's best to rewire any vintage finds so you know they've been safely updated. The process isn't that hard, but you will need to buy the supplies and spend the time to do it correctly.
Both are made in Scotland with Mackintosh's most famous innovation, waterproofed cotton, with the inclusion of CP Company's equally recognizable goggles in the hood. The coats are handmade, with panels being sewn, attached and sealed in Mackintosh's Scottish factory in North Lanarkshire, where seams are coated in water repellent to provide protection from both wind and rain. The two styles, the longer goggle car coat and waist-length goggle jacket, come with raglan sleeves, hidden fastenings, and adjustable cuffs.
Like the chambered nautilus, its shell was a logarithmic spiral. A wall of rough sandstone and aquamarine glass cullet twisted up fifty feet to an oil-drill-stem mast from which a floating roof was hung by the stainless-steel struts of World War II biplanes. You slid in with the humid air from the ravine outside to stroll a terraced garden of pools and plants, over which suspended and carpeted pods for living and sleeping drifted like clouds.
In Lana Launay's Kinship series, light does more than illuminate space. It acts as a living archivist, revealing, preserving, and narrating stories embedded within inherited textiles. Through works such as Kinship I and Kinship II, the artist transforms antique doilies, lace fragments, and stockings passed down through generations into sculptural lighting forms that do not simply display history but actively project it into the present.
Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.
How did a material conceived for bridges, factories, and large-scale structures make its way to the living room bench, the apartment bookshelf, the café table? For centuries, metal was associated with labor, machinery, and monumentality-from the exposed structures of 19th-century World's Fairs to the productive logic of modern industry. Its presence in domestic interiors is not self-evident but rather a cultural achievement: the transformation of an industrial material into an element of everyday, intimate use, in close proximity to the body.
Such was the case when John MacLaren started making porcelain light fixtures. MacLaren had been making custom furnishings for 20 years when his gaze drifted upwards: While visiting the home of a friend in Sagaponack, his pal noted that he'd n ever seen contemporary flush-mount light fixtures as beautiful as the antique ones in his historic home. MacLaren wondered if he might be able to make some.
Inspired by Margot's post last week on the stellar, nontraditional kitchens she spotted on the websites of European real estate firms, I found myself perusing the listings of my favorite U.K. agency, The Modern House, and there, I came across an especially dreamy offering: a rambling two-acre, multi-building property purchased by a pair of artists, Leila El-Kayem and Sophie Mayer, who lovingly transformed the dilapidated Victorian walled garden into a stylish retreat that's appealingly rough around the edges.