#hashimoto-contemporary

#hashimoto-contemporary

Ruinart has invited internationally renowned artists to artistically interpret the Maison since 2008, with this year's collaboration featuring Tadashi Kawamata's unique vision.

In both places, there was a sense of energy building that was not yet fully visible. The experiences made me realize that, while sales totals and fair brands can serve as benchmarks of centrality, slower, structural transformations are taking place throughout Asia that merit closer attention.

Monologue A Walker in Time's Soliloquy originates from a speculative narrative imagining that the Earth has undergone a reset. The project begins with a simple question: if an ancient civilization once existed before this reset, and a monastery had been built within that forgotten world, what architectural form might it have taken?

SO KOIZUMI DESIGN has developed Resonique, a ladder that explores the relationship between functional structure and sculptural form. The project draws on the structural logic of ladders while referencing the flowing geometries associated with brass musical instruments. Through this combination, the object shifts from a purely utilitarian tool toward a design piece that engages both function and spatial presence.

"The first step towards a cure is admitting you have a problem," artist Josh Kline writes, highlighting the inequities in New York City's real estate market and its impact on art.

The Duchamp exhibition at MoMA is encyclopedic, thought-provoking, and sometimes surprising. It spans the entire sixth floor and invites viewers to engage deeply with his work.

The Limited Space' series is built around the idea of a figure that has outgrown its space. Through exaggerated proportions and sculptural silhouettes, the body appears too large for the environment that continues to constrain it. Architectural elements and imposed barriers function as abstract limits, pressing against the figure and revealing tension through scale, weight, and posture rather than narrative.

LG Gallery+ is a new visual curation service for LG TVs - and a brilliant way to make your home more unique and personalized. It lets you express your ever-changing creativity with a massive library of classic art, digital and 3D artwork, scenery, games, and more. With more than 4,500 options to choose from, you can turn your LG TV into a world-class art gallery, a peaceful forest, or an homage to your favorite video game - all in the same day.

Conceived as the architect's own home, the project responds to this layered context through a strategy of adjustment rather than contrast. The intention was to create a building that integrates into the shifting character of the area while maintaining spatial flexibility for varied domestic activities. The design acknowledges the unpredictability of urban conditions, where degrees of openness and privacy constantly shift.

The U.S. Department of Homeland Security is using my artwork without permission ... What should I do ... Since the other party is so large, I'm honestly at a loss.

Residence AV is a courtyard house located in a dense residential neighborhood in Bruges, Belgium. Designed by YAMA architects, the project responds to a paradoxical brief: a strong desire for connection to the surrounding context combined with an equally strong need for privacy. The client, living alone, was attracted to the social presence and perceived safety of the neighborhood, yet sought a dwelling that could withdraw from direct views and support a more introspective way of living.

This depicts Guernica after the battle. The figures are no longer fighting. They're in a giant pile. They're exhausted and there's a sunrise on a new day behind them. The title of the work is A Whole New World (for Who?). It's asking what's going to happen after the conflicts that we have. Who's going to be taken into that new world?

Naoto Nakagawa's current show at KAPOW brings together a significant group of new acrylic paintings and intimate watercolors, situating his recent practice within both the Japanese shunga tradition of erotic art and his own six-decade exploration of perception, material culture, and the natural world. On view at KAPOW in Manhattan's Lower East Side through February 22, works across the exhibition resonate with themes that have defined Nakagawa's career since the 1960s - most notably his persistent pairing of man-made objects with organic life.

Known most for her large-scale artworks created from vast, intricate networks of thread, she developed her unique practice to make tangible the endless speculative configurations of human connections - something to be experienced rather than defined. But by asking her to describe her new exhibition, Threads of Life at the Hayward Gallery, I'm dragging her back into a reductive world of language. "If I wanted to express myself in words, if I could explain in words, I'd rather write," she says. "So I want to build visually, and I want to create visually. What I want to describe is beyond words."