#joao-fonseca

#joao-fonseca

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

"It's bizarre to watch people in this way - even in gay cruising areas you wouldn't stare at other bodies this intensely. Now, whenever I go to a concert, especially at the Berliner Philharmonie with its encircling seating, my gaze hovers over the audience as well as the stage."

Jasper Johns seemed to reject the tortured, in-the-moment 'I' of Abstract Expressionism, ironically commenting on the heroism and spontaneity associated with Jackson Pollock and Willem de Kooning in his early work.

Cezar Berje's visual approach is a mix of chaos-vibrant colours, symbols, and new age psychedelia. His illustrations often suggest universes within universes, with each part of the image telling its own story through symbols and references.

Courtesy of Lea Daniel + 13 Architects: Lea Daniel Area of this architecture project Area: 190 m Completion year of this architecture project Year: 2025 Brands with products used in this architecture project Manufacturers: Fabraca Studios, Frama, Hay Design, Slo Ceramics, The Bowery Company Lead Architects: Lea Daniel More SpecsLess Specs Courtesy of Lea Daniel Text description provided by the architects. Koffiqa reimagines an awkward plan as a spatial journey, using a continuous bar to

See all snaps here. To contribute, send in a headline and a snap to info@missionlocal.com.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

Unusually for a political period drama that is not in the English language, runs nearly three hours and peppers its authentic portrayal of a military dictatorship with sight gags and gory shootouts, The Secret Agent has transpired to be quite the awards magnet. Best picture and best actor, for its star Wagner Moura (who recently won a Golden Globe), are two of the four categories in which it will compete at next month's Oscars.

In 2004, the Brazilian musician Seu Jorge recorded a series of Portuguese covers of David Bowie songs for Wes Anderson's film The Life Aquatic with Steve Zissou. The next year, he released a full album of 13 Bowie classics, and in 2016-2017, he even took the songs on tour. Now, in 2026, to mark the 10th anniversary of Bowie's passing, Jorge returns with the performance above.

The new structure enters the existing building on its own terms. A row of thin metal poles carries an I-beam stretching from front to back. When needed, beams are interrupted. These cuts are exposed and celebrated. The new elements are painted in bright red and blue. They occupy positions within the space that are deliberately disruptive, blocking doors, windows and passages. Because of that inconvenience the structure becomes visible. It is an active participant of the space.

The renovation project for this apartment aimed to enhance the spaciousness of the original 1970s floor plan, overcoming certain shortcomings through minor interventions. The scarcity of natural light and the need to expand the living areas prompted a rearrangement of the kitchen, laundry, and living room programs, as well as the connections between them. In this shift, the laundry room was relocated to the apartment's private wing.

Now, he celebrates his first major presentation in Latin America, in congruence with Mexico City Art Week 2026 and ZSONAMACO, showcasing on an ideal stage inside one of the city's most architecturally layered interiors. Titled The Resident, the site-responsive installation, created during a residency at the Diez Company house, transforms the historic showroom into an immersive tableau where more than 50 works negotiate the boundaries between collectible design, contemporary art, and spatial theater.

The expansion project of this residence was carried out with the acquisition of the neighboring lot adjacent to the existing residence, with its original profile and vegetation preserved. Two new buildings were proposed for this lot.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

An exhibition of Wifredo Lam is about as safe a bet as the Museum of Modern Art can place and still plausibly say that it's a bet on expanding the canon. The Cuban artist is one of the most famous painters of the 20th century, featured in almost every single key show about Surrealism. MoMA acquired his famous painting The Jungle in 1946, a few years after he made it.

Casa da Rocha Quebrada by SO Arquitetos stands on the southern coast of São Miguel in the Azores, occupying the final open plot along a line of older houses facing the Atlantic. Set against lava rock and open water, the house addresses a landscape shaped by salt and wind, where buildings are designed to endure the coastal elements. The project was conceived for the parents of one of the studio's founders, a circumstance that allowed decisions to remain close to daily use and long-term inhabitation.

For ABERTO5, the itinerant exhibition series is set to open next month at Casa Bola, Eduardo Longo's spherical residence in São Paulo, opening the architect's private home to the public as the setting for its fifth edition. From March 7th to May 31st, 2026, ABERTO returns to Brazil after its Paris chapter at Le Corbusier's Maison La Roche (read more here) and shifts its attention to one of the city's most unique dwellings.

The artist is known for his absurdist paintings of animals with overly long legs, contorted bodies, or myriad mutant-like heads or limbs. They're often set amid woodlands or meadows evocative of 18th- and 19th-century academic landscape paintings or depictions of formal hunts. Instead, both domesticated and wild animals graze as normally as they would without dozens of heads or udders attached in unnatural places around their bodies.