Kangaroo Island is home to wildlife found nowhere else, including a soot-coloured dunnart, and has a human population so low that there are 14 kangaroos for every one person.
The Olympus Perspective Playground operates as a fully built system, where walls, lighting rigs, circulation paths, and signage are developed together with each installation, creating a continuous spatial script.
Viewpoints are structures designed for observing the landscape from elevated positions. They act as devices that organize the gaze and establish a direct relationship between the body and the territory.
Rooted in the tension between nature and artificiality, the installations pose questions about how we interact with the environment and how we might find equilibrium with it. All of my photographs strain credulity by design. At first blush, they can appear to be digital fabrications, but in truth, they are entirely in-camera, printed with minimal post-production.
The British artist Andy Goldsworthy moved to Penpont, a village in southwest Scotland, in 1986, when he was thirty. The area's initial appeal was twofold. Property was cheap, which meant that Goldsworthy and his wife at the time, Judith Gregson, could acquire an unrenovated stone building that had likely once stored grain. This structure could serve as a workspace and, for a while, as a rough-and-ready home.
Ever since we first got wind of Emerald Fennell taking on this Emily Brontë classic, we've found ourselves thinking of visiting Yorkshire time and time again. The English county, with its vast misty moors, rolling hills and cutesy villages, is ripe for romantic trips and cosy, fireside staycations. Start planning your next escape with our guide to the best hotels in Yorkshire.
Cities around the world share a common goal: to become healthier and greener, supported by civic infrastructure that restores ecosystems and strengthens public life. The question is how to reach this. Global climate targets, local building codes, and municipal standards increasingly guide designers and planners toward better choices. Still, many cities struggle to translate these frameworks into everyday, street-level comfort and long-term ecological protection.
Like half-remembered dreams, her curious pastoral visions displace familiarity in search of wilder fantasies, where humans are nowhere to be found. Against Nature, the London-based artist's second solo show at Pilar Corrias, establishes Wilson at the helm of a flourishing artistic engagement with the para-pastoral in contemporary painting. Hers is an altogether strange, uncanny variant of the British countryside that resists the canonical entrapments of a bucolic idyll.
My family had Slide Show Night when I was growing up. Not every Saturday, but a whole bunch of Saturdays. Either my sister or I would be in charge of setting up the projector, the screen, and loading the carousel. During the show, there'd be a few landscapes or skylines taken during vacations, but almost all the shots were up close. Like most dads, mine wasn't a professional photographer, but he did a good job of capturing memory triggers: faces, gestures, and decorations.
